What do Shoojit Sircar and Philip Roth have in common?

Well, aside from them being great artists? Both have released works that document a procession of surgeries as a narrative frame, I Want to Talk for Sircar and Everyman for Roth. And both have, I am sorry to say, produced uncharacteristic weak efforts. Talk is easily Sircar’s worst film, while I haven’t read enough of Roth’s workContinue reading “What do Shoojit Sircar and Philip Roth have in common?”

Sister Midnight Review

The opening stretches of Sister Midnight are dialogue-free and reveal a propensity for the silent gag. Start with the credits themselves, where the credit of the actor playing the husband (Ashok Pathak) is displayed where he should be, beside his wife (Radhika Apte). Instead, he is slumped over, sleeping, already a premonition of his roleContinue reading “Sister Midnight Review”

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